Grammy-award winner and six-time Grammy nominee, Peter Rowan is a singer-songwriter with a career spanning over five decades. From his early years playing under the tutelage of Bluegrass veteran Bill Monroe, to his time in Old & In the Way and breakout as a solo musician and bandleader, Rowan has built a devoted, international fan base through a solid stream of records, collaborative projects, and constant touring. Born in Wayland, Massachusetts to a musical family, Rowan learned to play guitar from his uncle. He spent his teenage years absorbing the sights and sounds of the Hillbilly Ranch, a legendary Country music nightclub in Boston frequented by bluegrass acts like The Lilly Brothers and fiddler Tex Logan. In 1956 Peter Rowan formed his first band, the Cupids, while still in high school. Following three years in college, Rowan left academia and decided to pursue a life in music. Rowan began his professional career in 1963 as the singer, rhythm guitarist and songwriter for the Bluegrass Boys, led by the founding father of bluegrass, Bill Monroe. "One thing I started to like about the Monroe style was that there was a lot more blues in it than other styles of bluegrass," reflects Rowan. "It was darker. It had more of an edge to it. And yet it still had the ballad tradition in it, and I loved that." The late '60s and early 70's saw Rowan involved in a number of rock, folk and bluegrass projects, including Earth Opera, Sea Train, Muleskinner, and the Rowans, where he played alongside brothers Chris and Lorin Rowan. After the Rowan Brothers disbanded, Rowan, David Grisman, Jerry Garcia, Vassar Clements and John Kahn formed a bluegrass band christened Old & In the Way. It was during this incarnation that Rowan penned the song "Panama Red," a subsequent hit for the New Riders of the Purple Sage and a classic ever since. Rowan subsequently embarked on a well-received solo career in the late '70s, releasing critically acclaimed records such as Dustbowl Children (a Woody-Guthrie style song cycle about the Great Depression), Yonder (a record of old-time country music in collaboration with ace dobro player, Jerry Douglas) and two extraordinarily fine bluegrass albums, The First Whippoorwill and Bluegrass Boy, as well as High Lonesome Cowboy, a recording of traditional and old-time mountain music with Don Edwards and Norman Blake. Rowan's recent releases- Quartet, a recording with the phenomenal Tony Rice and Legacy with the Peter Rowan Bluegrass Band, coupled with a relentless touring schedule have further endeared Peter Rowan to audiences around the world. Peter Rowan's bluegrass career started as a Blue Grass Boy in 1964. By Bill Monroe's own admission, Peter sounded a lot like him. When the two harmonized together, they were said to have reached "heavenly heights." Monroe & Rowan co-wrote what has already become a bluegrass standard, Walls Of Time. Peter's touring bluegrass band consists of outstanding players Keith Little, banjo; Paul Knight, bass; and Mike Witcher, dobro. The band features original songs written by Rowan along with Carter Family and Bill Monroe favorites. This is a winning combination for an audience that knows and loves this music! Since her 1989 pilgrimage on foot from her beloved homeland of Tibet, Yungchen Lhamo has emerged as the world's leading Tibetan vocalist. From the quays of Sydney, Australia to the spotlight of New York’s Carnegie Hall, her haunting a cappella performances have enchanted audiences in more than 70 countries and garnered critical praise worldwide. Her music has been described as “brilliant” (The New Yorker), “sublime” (Rolling Stone), and “spine-tingling” (The Times, London); she has been called “angel-voiced” (Newsweek) and praised for her “pristine, gliding vocal lines” (The New York Times). Yungchen has collaborated with luminaries such as Natalie Merchant, on her platinum-selling Ophelia, as well as with Philip Glass, Annie Lennox, Michael Stipe, Billy Corgan, and Sheryl Crow. Her songs have been featured on compilation albums including Prayer Cycle and Lilith Fair Live, on the soundtrack to the Hollywood film Seven Years in Tibet, and in a handful of documentaries.